Sensor  19 MEGAPIXEL RED DRAGON®

DYNAMIC RANGE - 16.5+ stops

PIXEL ARRAY 6144x3160

Upp to 6K RAW (2:1, 2.4:1)

1–100 fps 6K  
1–120 fps 5K, 4.5K 
 
1–150 fps 4K  
1–200 fps 3K 
 
1–300 fps 2K

With a similar form factor of the Red Epic, the Scarlet is fully compatible with the Epic, both in terms of image quality and accesories. 

The mayor difference to the Epic is less processing power and bandwith within the camera body, resulting in lack of slow motion capabilities, HDRx and the use of the full sensor area in motion mode (at more than 12 fps, the Scarlet is limited to a 4k area of the 5k sensor).

ZCam K2 Pro –  Key Features

• 10-bit color recording supporting Prores 422 HQ and H.265
• Dual 4/3″ WDR sensors with 13~15 stops dynamic range
• High frame rate capable. can export 5K@60fps, or upto 120fps in slightly cropped top and bottom
• Inter-ocular distance at 64mm, perfect for VR180 shooting in stereo
• color modes: zlog2, flat, rec709, ZRAW
• export 5120×2560 @60fps in VR180 format*, best match with Oculus Quest
• dual native ISO, very smooth in low light even at ISO10000 and more
• synchronized shutters
• close-up friendly, manageable stereo at just 10cm away from the lenses, top in the class.

iZugar MKX200 3.8mm ASPH, Key Features

• cine-grade resolution, 8K ready
• 200 deg circular fisheye, distortion free
• APO design, minimal chromatic aberration
• aspherical elements
• multi nano coatings
• aperture f/2.8-f/11
• Tailor made for E2 & K2pro

The +1 ADAPTOR MODULE mounts onto the back of a DSMC brain and features an extra EVF/LCD port for adding an additional RED display. Also included is an AUX power port for 4-pin or 2-pin 3rd party accessories.

DSMC Battery Belt Clip provides a portable power solution for lightweight hand-held configurations. The attached 1B power cable plugs directly into an EPIC or SCARLET camera. Clips directly onto belt.

A fixed handle perfect to mount on a EPIC or SCARLET to create a rigid hand-held configuration. It makes for a perfectly balanced camera together with the battery grip on right hand side.

The Pro Battery Module (quad) harnesses the energy from four RedVolt batteries, or two RedVolt XL to power the Epic and Scarlet cameras. With the ability to hot-swap batteries on the fly, the can continuously power the camera.

In combination with the Clutch shoulder solution, the Quad Battery module makes an Epic or Scarlet brain into a robust traditional shoulder camera without any lose cables, and wth a control panel on the back (RedMote).

Specs:

- The DSMC® Side Handle is ideal for hand-held shooting
- Holds 1x REDVOLT so camera can be battery-powered
- Navigation wheel for menu control
- Customizable buttons for personal user settings
- Display backlight

Designed by RED to provide the lightest and most compact shooting configuration, the DSMC Quick Release Platform Pack lets you mount an Epic or Scarlet to 19mm or 15mm rods. The Quick Release Platform will mount directly on an ARRI head or on a standard tripod head with the included dovetail mounting plate.

The primary benefit of the quick release platform pack is however, the ability to seperate a Red DSMC camera brain (Epic or Scarlet) from a full cinema-rig in seconds, to preform ultra compact hand held shooting, opening new creative cinematography possibilities not available with any other digital or analog cinema camera!

RED has always taken its monitoring options very seriously, providing high resolution solutions for all it's cameras. The RED PRO EVF - OLED is the high resolution viewfinder especially made for the DSMC-system, providing an elegant EVF for Scarlet and Epic.

Dimensions: 5.2"/132mm (long) x 2.25"/57mm (diameter) x 3.2"/79mm (high)

Weight: 1.2lb / 0.6kg

Operating Temps: -10C to +40C (-14F to 104F)

Storage Temps: -30C to +70C (-22F to 158F)

Notable Features: Integrated eyepiece heater, 2 User Defined Buttons, Tally Indicator

Resolution: 1280 (wide) x 1024 (high) full-color

Bit Depth (Color): 30-bit RGB

Colorimetry: Rec 709 (nominal)

Contrast Ratio: >10000:1 typical

Display Modes: Free Run, Synchronous, Open Gate (Camera dependent)

Display Rate: Up to 60 FPS (Display mode and Camera Dependent)

Eyepiece Optics: Fully coated with – 4.0 to + 2.0 diopter correction range

Power: 6W (nominal) 12W (max) via camera interface

RED TOUCH 5.0" LCD display allows you to view your image and navigate through menu settings using touchscreen functionality.

Specs:

- Touchscreen makes menu navigation extremely intuitive
- Integrated hinge with multi-axis rotational capabilities
- 800 × 480 resolution
- RGB 4:4:4 Progressive Scan
- Surround View™ look around area

REDmote allows users to wirelessly navigate through menu settings and start/stop their DSMC® camera.

Specs:

- The REDmote allows for wireless camera control
- Charges and can be used for menu navigation when docked directly to the camera

As the most convenient method for “grabbing” the camera, the new RED Sliding Top Handle has a rubberized grip and a clamp which attaches to the rail guide system, offering 15 mounting points, plus a rosette connection for additional accessory mounting.

At the heart of RED’s new Rail Hardware System is a package that includes all components necessary for operating a RED camera on the shoulder. THE CLUTCH Shoulder Rig. Ergonomic, flexible and highly innovative. 

PWCAR

BV140HDmini

Designed exclusively for V-Lock Li-Ion batteries: charges 2 batteries in sequence. Compact size, easy to carry in bag, strong and robust assembly, ideal for travel.
Rotating foot support increases stability and reduces bulkiness when not in use.

Provided with 1 Auxiliary DC output power source at 13.8V 110W through an XLR 4 pin socket.
Can be powered either by AC or alternatively by DC: this feature makes the CVTR2 an ideal companion for On the road charge: it can alternatively be powered by the innovative, “In-car charge adapter “, PWCAR: Plug to the cigarette lighter socket and go.
USB connection to interface the CVTR2 with computer: up to 4 chargers can be monitored by a single PC through BSCVMon.

Specifications:

• Input: AC 100-240V 47-63Hz
• Output:
  - 2x DC 16.8V 4.8A
  - 1x AUX DC 13.8V 110W max.
• Charging current: 4.0A per channel
• Data socket
• Size: 250 x 145 x 80mm (9.84" x 5.51" x 3.15")
• Weight: 0.7Kg (1.55lbs)

BV290HDplus

8 channel (4+4) simultaneous portable charger 

REDVolt (4-Pack) includes 4x REDVolt batteries, a charger and a custom waterproof case.

Specs:

- 4x REDVolts and case
- REDVolts provide battery power for DSMC cameras via The Side Handle
- Waterproof case has anti-static foam and holds up to 4x REDVolt batteries

• Charge up to 4 REDVOLT or 2 REDVOLT XL batteries
• Simultaneous 1.75A Charge

The REDVolt XL (2-Pack) includes 2x REDVolt XL batteries and a REDVolt XL water-resistant protective shell.

- 2x 90Wh batteries

- Protective case

The 4 x 5.65" Low Contrast Filter 1/2 from Tiffen is valuable when the lighting ratio between highlight and shadow in your shot is too extreme for the medium you are working with to record. Normally, if you expose for the shadows, your highlights will blow out while if you expose for the highlights, your shadows will lose all detail.

Low Contrast filters work by taking some light from your highlights and adding - sharing it with the shadowed areas of your shot. The bright areas of the image will remain bright while displaying minimal flare that, in some cases, may add mood to the overall image. The resulting effect of this filter is that the dark areas become lighter with more visible detail. As there is no f-stop compensation required for use with this filter, you will not overexpose any portion of the image.

Examples for the use of a Low Contrast filter would be shooting under the covered porch of an old house or on a tree shaded country road where your model is in deep shade yet the surrounding venue is highlight-heavy. By adding more detail to the dark areas without blowing out your highlights, you achieve a more balanced, pleasing shot.  For people shooting video who prefer more of a traditional film look, this filter provides a workable solution.

It should be noted that the Low Contrast filter differs from Tiffen's Ultra Contrast filter. Whereas the Low Contrast filter takes light from your highlights to open the shadows, the Ultra Contrast will take ambient light from the surrounding venue the shot is taken in and not just use the highlights within the frame.  

With a 1/2 Low Contrast filter, the shadows continue to open while your highlights remain bright with continued detail.

Tiffen's ColorCore glass is produced through a process that entails permanently laminating the filter material in between two pieces of optical glass that are ground flat to tolerances of a ten-thousandth of an inch, then mounting them in precision aluminum rings.

This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 0.3 (1 stop) and therefore reduces transmission by 50%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.

This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 0.6 (2 stops) and therefore reduces transmission by 75%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.

This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 0.9 (3 stops) and therefore reduces transmission by 87.5%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.

This is a Neutral Density Filter used for Cinematography. It has a Neutral Density of 1.2 (4 stops) and therefore reduces transmission by 94%. A common use for this filter is to allow the use of larger apertures, reducing depth of field, to allow selective focus and rack focus.

The 4 x 5.65" Low Contrast Filter 1 from Tiffen is valuable when the lighting ratio between highlight and shadow in your shot is too extreme for the medium you are working with to record. Normally, if you expose for the shadows, your highlights will blow out while if you expose for the highlights, your shadows will lose all detail.

Low Contrast filters work by taking some light from your highlights and adding - sharing it with the shadowed areas of your shot. The bright areas of the image will remain bright while displaying minimal flare that, in some cases, may add mood to the overall image. The resulting effect of this filter is that the dark areas become lighter with more visible detail. As there is no f-stop compensation required for use with this filter, you will not overexpose any portion of the image.

Examples for the use of a Low Contrast filter would be shooting under the covered porch of an old house or on a tree shaded country road where your model is in deep shade yet the surrounding venue is highlight-heavy. By adding more detail to the dark areas without blowing out your highlights, you achieve a more balanced, pleasing shot.  For people shooting video who prefer more of a traditional film look, this filter provides a workable solution.

It should be noted that the Low Contrast filter differs from Tiffen's Ultra Contrast filter. Whereas the Low Contrast filter takes light from your highlights to open the shadows, the Ultra Contrast will take ambient light from the surrounding venue the shot is taken in and not just use the highlights within the frame.  

With a #1 Low Contrast filter, the shadows show even more detail than the 1/2 version while your highlights continue to hold their value with minimal flare generated.

Tiffen's ColorCore glass is produced through a process that entails permanently laminating the filter material in between two pieces of optical glass that are ground flat to tolerances of a ten-thousandth of an inch, then mounting them in precision aluminum rings.

The Tiffen 4 x 5.65" T1 Infrared Filter is a high-tech filter targeted towards eliminating infrared contamination at 680nm. This filter will assist you in maintaining your color spectrum when shooting against a dark fabric. You will notice the blacks turn out true with no color cast from the red end of the spectrum.

Manufactured in sleek black metal, this special edition of ARRI's ubiquitous studio follow focus unit combines a modern look with trusted engineering and a classic design.

Configured to your needs

While the new FF-4 kit contains the essentials for pulling focus on any type of production, the choice of either 15mm or 19mm rod adaptors means that you can shape the system to meet your particular requirements.

Reliable build quality

Our FF-4 follow focus is an industry workhorse and has already proven itself on countless tough shoots all over the world, so you needn’t worry about it letting you down. ARRI engineering is internationally renowned and the FF-4 is one of the most robust motion picture accessories ever built. No matter what else goes wrong, your pictures will stay sharp.

- Complete follow focus system for use with film and cine-style lenses 
- Gear ratio is appropriate for a wide range of lens barrel sizes
- Compatible with focus knobs from FF-5 HD and all ARRI driver gears
- Compatible with ARRI lightweight support
- With adapter, compatible with studio bridge plate and ARRI HD baseplate
- Economical and robust 

The Chrosziel MB450 R2 is a high quality compact MatteBox.

The kit includes:

- 2xrotatable filterholders: 4x4 and multi-format 4x4/4x5.650

- Bracket for Ø15mm and Ø19mm rods

- French flag

- Ø80mm adapter ring for Zeiss Super Speeds

Compact form factor makes the RED STATION REDMAG 1.8" (Mini) perfect for offloading your REDMAG1.8" media when workspace is limited and portability makes all the difference. Connects using Firewire 800 or USB 3.0 ports.

The RED STATION REDMAG 1.8" reads and offloads your REDMAG 1.8" SSD media onto your hard drive when connected to your computer. This product connects via eSATA, Firewire 800, or USB 2.0 to your laptop or desktop computer.

The Marshall 7" LCD monitor with 3G/HD/SDI and V-Clip Battery Mount is the latest update to Marshall Electronic's successful and popular line of portable field / camera-top monitors. These monitors have been upgraded with even more features and versatility, but without additional cost. New features include cast metal front panel, adjustable backlight and markers, manual gamma adjustment, Image Flip, 1/4"-20 mounting on all sides, and a more robust power switch. These new monitors continue to be durable, while retaining their lightweight design, weighing in at only 2 pounds. These monitors feature a completely digital TFT-MegaPixel high resolution LCD screen with 1.2 million pixels, 4-pin XLR power jack, and optical grade polycarbonate screen protection. Analog signals are digitized using advanced 10-bit processing with 4x oversampling and adaptive 5-line comb filter. These portable monitors are the perfect solution for video professionals and DSLR users seeking to capture their best shots. Marshall Monitors are Made in the U.S.A. 

Features:

• High resolution 800 x 480 LCD panel
• Durable, thin, and lightweight construction
• 250 cd/m² brightness, 400:1 contrast ratio
• 4 user-configurable function buttons
• Scratch Resistant Protective Screen
• RGB gain and bias control
• CE / FCC Part 15 Certified
• False Colors
  • Enables proper camera exposure
  • Users lose money and time when the IRE scale of a scene can't be read
• Peaking Filter / Focus Assist
  • Others try to pass off "Sharpness" adjustment as adequate
  • Users lose money and time when focus can't be pulled
• Freeze Frame
• Variety of Adjustable Markers, including User-Adjustable
• Intuitive Menu Navigation
  • Others have menus that can be complicated and frustrating to use
  • RotoMenu navigation allows easy menu access
• 4 User-Configurable Front Panel Function Buttons
• Variety of Field-Replaceable Battery Adapters
  • Competing models offer limited options
• Scratch Resistant Protective Screen
  • Does not distort or degrade image
  • Not glossy or super reflective like other brands
• Active Input Loop-Through / Reclocked Output
  • Some competing models don't offer video output
  • Inputs / Outputs are on back of unit - not on top or side
• Robust 12V 4-Pin XLR Power Connector
  • Marshall offers durable XLR power connectivity -- commonly used and interchangeable with Broadcast / Professional applications
  • Marshall power adapters lock and remain secure during shoots
• Multiple Mounting Options
  • 1/4"-20 mounting on all sides
• V- Clip Battery Mount

Specifications:

• Display (Viewing Area) 7.0-inch Diagonal (6.496" x 4.118") (165mm x 104.6mm)
• Resolution (Pixels) 800 x 480
• Viewing Angle L/R: 140° / U/D: 100°
• Pixel Pitch (mm) 0.1905mm(H) x 0.1905mm(V)
<
• Brightness (in cd/m²) 450
• Contrast Ratio 600:1
• Inputs Composite

The VFM-058W, the lightweight viewfinder monitor, offers an outstanding picture quality with 5.5” LCD, and Full HD resolution of 1920 x 1080. Innovative and ergonomic design of VFM-058W makes you comfortable in the shooting environment and its light solid magnesium case achieves the highest efficiency of ventilation. The VFM-058W supports multi-formats including 3G/HD/SD-SDI and HDMI that offers a wide application range from DSLR cameras to Pro camcorder for broadcasting and movie shooting. The VFM-058W has various features such as Max Brightness function, Temperature Adaptive Color, HDMI-to-SDI conversion output, 1:1 pixel mode, Luma(Y’) Zone Check function, DSLR Scale, Waveform, Vectorscope, Range Error, Focus Assist, Markers, Audio Level Meter with speaker and time code display.  

At the heart of the D800 is a brand new Nikon-developed sensor that boasts 36.8 million pixels in total, with a maximum effective output of 36.3MP. Its ISO span is 100-6400 natively, expandable to a range of 50 ('Lo1') to 25,600 ('Hi2') equivalent. Nikon's highest resolution DSLR to date, the D800/E more than doubles the pixel count of the flagship D4. The D800 is potentially very attractive to studio and landscape professionals, but should pique the interest of a great many enthusiast Nikon users too - many of whom may have been 'stuck' at 12MP for years, with a D300, D300s or D700.

The D800 and D800E's 36.3MP CMOS sensor has by far the greatest pixel count of any non medium-format DSLR currently on the market. The ISO span is slightly wider than that of its predecessor the D700, at 100-6400, expandable down to ISO 50 and up to ISO 25,600 (equivalent).

Features

• Solid, single stage support for EFP/Sports
• Tripod model suits adjustable mid level spreader
• Split inline carry handle for balance
• Sturdy, hard-anodised alloy tubing
• Quick set-up and easy maintenance flip locks
• Reinforced 100mm bowl design

Specification

• Transport Height: 645mm
• Weight: 4.00kg
• Payload: 95kg
• Min height: 350mm
• Max Height: 960mm
• Bowl Diameter: 100mm
• Construction: Single Stage
• Spreader Type: Mid Level Spreader
• Lock Type: Vertical Flip Lock
• Material: Aluminium

• 100mm bowl
• Optional wood plate

Features

• Load Capacity - 55 lb (24.9kg)
• Multiple Camera Angle/Tilt Adjustments
• Multiple Utility Pockets
• Form-fitting U-channel Design
• Outer Shell - Rugged Rip-stop Fabric
• Material - Waterproof Cotton Canvas
• Filling - Polystyrene Micro Beads
• Lightweight (4.6 lb / 2kg)
• Camera Attachment via Down Straps

Specifications

• Weight: 2kg
• Dimensions (H/W/D): 25.4 x 48.2 x 34.2cm
• Height 16.5cm
• Weight Capacity: 24.9kg
• Material: 100% Waterproof Cotton Canvas

• Built-in tilt-plate
• (3) Speeds
• Mitchell mount
• Fitted Shipping Case included

The Arrow 25 is a 100mm fluid head designed to support the latest generation in acquisition from the film-ready HD alternatives to lightweight ENG camcorders providing outstanding fluid drag performance. Arrow 25 features 5+5 selectable pan/tilt drag (plus'0') to provide repeatable light to heavy drag settings. Selectable 4 position counterbalance and 70mm sliding camera platform to balance a wide range of camera loads from 3.5-14kg makes the Arrow 25 one of the most versatile camera support platforms available.

FEATURES:

• Payload range from 3.5–14kg
• 5 (plus zero) positions of fluid pan and tilt drag
• 4 positions of counterbalance
• 70mm Quick release sliding platform
• 100mm ball levelling
• Rear mounted controls
• White illumination of bubble level and indicators for pan and tilt

The Arrow 55 fluid head with 100mm sliding camera platform provides higher load capacity to suit documentary, lifestyle, HD productions and is particularly suited to long-lens applications or Cinema/Studio/EFP configurations. Coupled with widest range of pan and tilt drag, ideal for slow, heavy pans; the Arrow 55 is the heavy duty performer.

FEATURES:

Features

• Easily accessible, high speed dual action locks
• Lightweight and rigid tripod construction
• Tripod suits fine height adjsutable mid level spreader
• Inline carry handle
• Forever-flat rubber foot design
• Rapid action transport clips

Specifications

• Transport Height: 840mm
• Weight: 3.10kg
• Payload: 45kg
• Min height: 665mm
• Max Height: 1430mm
• Bowl Diameter: 100mm
• Spreader Type: Mid Level Spreader
• Lock Type: Sprint-Locks
• Material: Aluminium

The unique Kessler Crane can be assembled in a variety of sizes and configurations.

- Camera capacity: up to 9kg
- Unit weight: 13.6kg
- Folded length: 122cm
- Extended length: 3.6m
- Distance from tripod to camera: 2.9m
- Total vertical movement: 5.8m

Telescopic, Front And Rear

Telescopic arms on both sides make the Vario Jib a universal piece of equipment for many shots. With an additional extension the Vario Jib can be extended by 1m.
The max. payload is 80kg / 176lbs., despite its compact design and weight of only 22kg / 48lbs.

Fast, Ergonomic, Perfect

The Vario Jib can be operated manually or electrically.
The ground platform or running board bracket offer enough space for operation.
It can be mounted on any dolly.

Quick And Easy

An ergonomic and easy handling as well as a quick set up facilitate your responsible job on set.
A pan and tilt brake with integrated friction comes with the Vario Jib.
To find the right balance the Vario Jib is fitted with an additional sliding weight.

Versaile And Flexible

Use offset rig for ergonomic camera operation.
The Multi-Rig allows the adjustment of the Euromount in all possible angles.
The Vario Jib can be combined with existing Panther accessories.
Creativity is everything!

Cinevate's Dolly, "Ballare", uses a unique wheel system that can follow curved and non-parallel track. Designed to carry in excess of 250 kg, it features dual stance adjustment for use both with a jib (wide), or as a doorway dolly (narrow).

There are no less than 44 ball bearings, 16 purpose designed wheels, and a full stainless steel fastener set resulting in a system that is incredibly strong, and smooth.

It is designed to support both a camera and a jib. The dolly will ship with two pipe couplers to seamlessly join two 1" ID tubes together. We use shedule 40, 25mm ID PVC pipe as it bends very nicely for use with curved setups.

The Ladder Dolly will run on any aluminium ladder giving super smooth tracking shots. It has a 100mm bowl onto which you can fasten your tripod head and camcorder.

Two adjustable brackets are supplied for supporting the ladder, plus a claw ball leveller, enabling one of the brackets to be attached to your tripod.

As the ladder is above the ground tracking shots can be achieved over any terrain without the need for laying tracks on the ground. The dolly is fully adjustable for the different widths of ladders and the 8 radial ball bearing wheels, one of which has a brake, enable the dolly to be moved with ease.

Features

The Panther Twister Dolly provides whole new possibilities in agility, versatility and thus in speed of operation.

Central feature are the combined tyre and track wheels. They allow for camera movements on track (62 cm / 2 ft gauge) or on ground without the need for time consuming conversion. Furthermore the Twister glides with an overall width of 78 cm / 2’7’’ through any door with ease.

By the three selectable steering modes FRONT, REAR and ROUND-A-ROUND the Twister Dolly twists cleverly in all directions and navigates exactly around the motive. According to the requirements either the front wheels or the back wheels move independently from each other or all four wheels move together. By the minimum inner turning radius of 42 cm / 1’8’’ also narrow curves are easy to run.

Both steering axes have an optimized steering geometry for cornering with low dynamic friction (thus minimal operating noise) and accurate movements. Thus circular shots are also repeatable without tracks.

Specifications

Length: 116 cm / 3.10"

Width: 78,5 cm 2.7"

Platform Height: 19,5 cm / 7.68"

Gauge (with disengaged wheels): 86,6 cm / 2.10"

Gauge (with engaged wheels): 78,6 cm / 2.7"

Inner steering radius (4-wheel-steering): 42 cm / 1.6"

Outer steering radius (4-wheel-steering): 116 cm / 3.10"

Payload: 270 kg / 595 lbs

The fastest and most compact lenses ever produced...

Lens designer Gordon H. Cook designed the 35mm Cooke 20-100mm, T3.1 Varotal zoom lens, released in 1971. It was the first high quality zoom designed for professional motion picture photography that incorporated a totally new design concept that has remained the basis for all Cooke zoom lenses subsequently produced. It was produced through the late 1980s.

Gordon H. Cook received the 1988 Academy of Motion Picture Arts and Sciences, Gordon E. Sawyer Award for this and other technological advancements during his career as an optical designer.

The lens is both sharp, and has a nice character well suited for modern digital S35 cameras.

The Red Pro Primes are amongst the most modern and sharpest primes available.

At T1.8 through all focal lengths, they are also among the fastest...

Chimera’s Daylite Series Banks stand up to high temperatures and long days. 

Chimera has a reputation for high quality, superior craftsmanship and innovative lighting solutions.

Daylite Series Banks have a deep design that’s ideal for use with a range of narrow beam Fresnel lights—an exclusive innovation from Chimera! The increased depth allows light to fill the front diffusion screen evenly and increase the output of your light. 

Daylite Junior Bank - Plus 3 are built to handle the heat from instruments up to 1000 watts. 

Chimera’s Daylite Series Banks stand up to high temperatures and long days. 

Chimera has a reputation for high quality, superior craftsmanship and innovative lighting solutions.

Daylite Series Banks have a deep design that’s ideal for use with a range of narrow beam Fresnel lights—an exclusive innovation from Chimera! The increased depth allows light to fill the front diffusion screen evenly and increase the output of your light. 

Daylite Standard Bank - Plus 3 are built to handle the heat from instruments up to 4000 watts. 

Chimera Standard Lanterns are a durable alternative to a traditional paper ball or "China Ball" lantern. With a 360-degree full-diffusion body, standard lanterns are almost completely spherical, allowing for an omnidirectional soft light.

High-Heat materials for use with continuous fixtures.

Daylight conversion filter. Light loss, 1 Stop.

The unique and powerfull spotlight from Mr. Dedo Weigert from München in Germany. A favorite of many...

The DP1 Imager offers the greatest versatility with a spring loaded accessory slot to accept a wide range of imaging accessories.

Take a look at the product sheet for more information.

The award-winning 4Bank portable lighting systems have changed the way professionals light everything from feature films to television productions to video and still photography. 

4Bank System

The 4Bank System was designed as a softlight source that could be plugged into the wall on location. 
With its narrow profile and size, the 4Bank could approximate the quality of light from bounced sources 
without losing set space.

The first thing to note about the 4Bank System is that it consists of four components: 4Bank Fixture, 
Mounting Plate, Ballast and Extension Cable. It was designed in this manner to allow the greatest flexibility when working on film production where the gaffer and DP are constantly being challenged to light unique locations and problem solve at a moment's notice.

From lighting close-ups in a restaurant location to lighting large blue and green screens, the 4ft 4Bank is the 
most versatile product in the Kino Flo product range and was the first product developed by Kino Flo more than 25 years ago.

- 4-Lamp remote fixture w/ built-in barndoors 
- Fixture includes removable Lamp Harness, Reflector and Louver
- Same fixture takes daylight and tungsten lamps, plus visual effects color lamps 
- Mounts to stand, light enough to tape to wall 
- Removable center-mount 
- Fixture or lamps w/ harness run up to 75 feet (24 meters) from ballast
- High-output, flicker-free ballasts 
- Instant-on, dead quiet 
- Individual lamp switching - no color shift 
- HO/Std switching 
- Operates at 1/10th the power of conventional tungsten softlights 

The award-winning 4Bank portable lighting systems have changed the way professionals light everything from feature films to television productions to video and still photography. 

4Bank System

The 4Bank System was designed as a softlight source that could be plugged into the wall on location. 
With its narrow profile and size, the 4Bank could approximate the quality of light from bounced sources 
without losing set space.

The first thing to note about the 4Bank System is that it consists of four components: 4Bank Fixture, 
Mounting Plate, Ballast and Extension Cable. It was designed in this manner to allow the greatest flexibility when working on film production where the gaffer and DP are constantly being challenged to light unique locations and problem solve at a moment's notice.

From lighting close-ups in a restaurant location to lighting large blue and green screens, the 4ft 4Bank is the 
most versatile product in the Kino Flo product range and was the first product developed by Kino Flo more than 25 years ago.

- 4-Lamp remote fixture w/ built-in barndoors 
- Fixture includes removable Lamp Harness, Reflector and Louver
- Same fixture takes daylight and tungsten lamps, plus visual effects color lamps 
- Mounts to stand, light enough to tape to wall 
- Removable center-mount 
- Fixture or lamps w/ harness run up to 75 feet (24 meters) from ballast
- High-output, flicker-free ballasts 
- Instant-on, dead quiet 
- Individual lamp switching - no color shift 
- HO/Std switching 
- Operates at 1/10th the power of conventional tungsten softlights 

Kino Flo packs a lot of soft light into its blade-thin Barfly 200. The brighter, smaller, lighter Barfly delivers more lumens per square inch than any other full-spectrum fluorescent source on the market. The Barfly is a compact and controllable lighting source that can squeeze into tight spots for difficult shots on location or in the studio.  

BarFly 200 System

The first thing to note about the BarFly 200 System is that it consists of three components: 
BarFly Fixture w/3.6m head extension, Mounting Plate and Ballast.  
It was designed in this manner to allow the greatest flexibility when working on film production where the 
gaffer and DP are constantly being challenged to light unique locations and problem solve at a moment's notice.

The BarFly is most at home on location and studio sets for television and feature film production,
but many in the electronic field production and ENG community have discovered it for a small, two point or 
three point lighting kit to complement such popular location lighting instruments as the Kino Flo Diva-Lites. 

BarFly 200 Highlights

- 2-Lamp remote fixture
- Fixture includes 90° Honeycomb Louver, Gel Frame and built-in head extension
- Same fixture takes daylight and tungsten lamps
- Mounts to stand
- Removable center-mount
- Fixture runs up to 75 feet (24 meters) from ballast
- Uses True Match® 3200K tungten balanced, 5500K daylight balanced and
- Visual Effects 420nm Blue and 550nm Green Lamps
- High-output, flicker-free ballast
- Instant-on, dead quiet
- Individual lamp switching – no color shift
- HO/Std switching
- Operates at 1/10th the power of conventional tungsten softlights
- UL listed, CE approved

The Portable Diva-Lite® series have become the industry’s most popular professional cool lighting fixtures for video location work. The Diva-Lite 200 portable softlights boast the company’s trademark modular fixture designs with full-range dimming, switching and remote control features. Diva-Lite 200 fixtures are portable, versatile units designed for the rigors of run and gun lighting for news or commercial video production. All Diva-Lites can go from nighttime to daytime interiors by switching True Match® tungsten for daylight quality lamps. It’s like having two set-ups in one!

The Portable Diva-Lite® series have become the industry’s most popular professional cool lighting fixtures for video location work. The Diva-Lite 400 portable softlights boast the company’s trademark modular fixture designs with full-range dimming, switching and remote control features. Diva-Lite 400 fixtures are portable, versatile units designed for the rigors of run and gun lighting for news or commercial video production. All Diva-Lites can go from nighttime to daytime interiors by switching True Match® tungsten for daylight quality lamps. It’s like having two set-ups in one!

The Kino Flo Foto-Flo 400 is a trim, lightweight unit versatile enough to work as a soft, flattering key light for fashion photography, film and video work.

Although uniquely soft, the Foto-Flo 400 can be controlled with removable louvers and built-in barndoors.

The broad, even beam makes it a popular choice for lighting chroma key walls, table top subjects and dura trans images.

For special shots, the lamps may be operated outside the fixture, taped under desks, or laid behind a stack of books. They are cool, so they can work close to the subject without fear of excessive heat.

The compact Foto-Flo 400 Ballast either mounts on the fixture or remotely connecting with the head extension cable.

The ARRISUN 40/25 2.5/4K HMI PAR is a location work horse. Whenever you need to punch light through a silk or bounce light off a reflective surface, an ARRISUN is the ultimate answer. At the design stage, the interaction of lamp, reflector and converter lens was taken into consideration and computer simulated, resulting in unmatched performance. The 40/25 can be fitted with a 2,500 or 4,000W single-ended HMI lamp, making it a very versatile lighting fixture. A wide range of converter lenses ensure maximum beam control in all situations.

The Rembrandt Daylight Compact Fresnel fixtures are the brightest Fresnel and offer the widest beam in the industry. The outstanding optical output and superior barndoor control offer high quality modeling light for Lighting Professionals. The compact, stainless steel construction allows the Rembrandt to lightweight and be durable compared to most conventional Fresnels.

The Remington Daylight Pars are the brightest, most versatile, PAR Systems in the industry. The Five optical lens system ranges from Narrow to Extra Wide lens and includes a Frosted Fresnel lens for wide, even coverage. The powerful output from the reflector and unique focus system combined with the drop in lenses, makes the Remington Pars the most flexible systems in the market. The stainless steel, modular construction, adds to the durability and reliability of the fixture for all location, ENG and outdoor productions. Rugged stainless steel construction.

The Remington Daylight Pars are the brightest, most versatile, PAR Systems in the industry. The Five optical lens system ranges from Narrow to Extra Wide lens and includes a Frosted Fresnel lens for wide, even coverage. The powerful output from the reflector and unique focus system combined with the drop in lenses, makes the Remington Pars the most flexible systems in the market. The stainless steel, modular construction, adds to the durability and reliability of the fixture for all location, ENG and outdoor productions. Rugged stainless steel construction.

• Porcelain E27 socket
• Max 500W
• 3 meter cable

• Porcelain E27 socket
• Max 500W
• 5 meter cable

We also make custom light rigs.

Please do not hesitate to contact us if you need something tailor made.

•  25W
•  40W
•  60W
•  75W
• 100W
• 150W
• 200W
• 500W

• 4-Way Barndoors
• Magnetic Gel Holder
• 30-Degree Honeycomb Grid

The Barndoors, Grid, and Gel Holder for LS 120d/II and LS 300d/II LED Lights are light modifiers that fit the reflector that comes with all versions of these Aputure LED lights. The 4-way barndoor design allows for one to four of the leaves to be swung into the light's beam to illuminate areas that you want while keeping light from areas where you don't want it. The 30-degree grid narrows the beam spread. The barndoors also include a magnetic gel holder that allows filmmakers to easily add color to their lights' output.

• 6" Lens Diameter
• Dual Lens Design Boosts Output
• Beam Spread Variable from 12 to 40°
• Exclusively for LS C120d, C120dII, C300d

Made exclusively for Aputure LS C120d, LS C120d II, LS C300d, the Fresnel 2X Attachment offers a beam spread that's variable from 12 to 40 degrees. A valuable bi-product of this enhanced design is its ability to intensify the output of the light! Aputure's LS 120d II, for example, is capable of outputting up to 14x its standard power thanks to the Fresnel's dual lens design. The Fresnel 2X comes with a padded case for storage and transport.

• Hexadecagon Shape with 16 Steel Rods
• 2 Front Diffusers: 1.5 and 2.5 Stops
• Removable Inner Diffuser
• 40° Grid, Gel Filter Holder

• Beam Angle: 105°
• Color Temperature: 2700-6500K
• CRI: 96, TLCI: 96, CQS: 95
• DMX, Bluetooth, 2.4 GHz Wireless Remote
• 0-100% Dimming, Flicker Free
• Bowens-S Type Reflector Mount
• Multi-Voltage AC, Optional Battery Power

The Light Storm LS300X LED Light Kit from Aputure is the first Aputure light to go beyond traditional bi-color lighting by utilizing the expanded vari-white CCT range of 2700-6500K, providing warmer tungsten tones and cooler than daylight whites. The brilliant light can be dimmed from a potent main light to a subtle, nuanced fill light, flicker free across the dimming range.The Controller Box attached to the LS300X head with a 9.8-foot head extension cable, so adjusting settings is effortless regardless of where the light is set. The self-regulating , multi-voltage controller also operates using single or dual V-mount batteries, suitable for lighting in remote locations.

• 12 x MC RGBWW Light Fixtures
• 95% BT.2020 Gamut Coverage
• Full HSI Color Control
• 0 to 100% Dimming
• OLED Display with Control Wheel
• Aputure Sidus Link App Compatibility
• Wireless Charging Case for 12 MC Lights
• Built-In Accessory Storage Drawer
• Power Supply and Power Cable
• 4 x Cold Shoe Ball Head Adapters

The Aputure MC 12-Light Production Kit includes 12 Aputure MC light fixtures, a wireless charging case, and accessories. The MC light fixtures are part of the Aputure M-series of lights and feature RGB LEDs, as well as both tungsten- and daylight-balanced LEDs, creating a full hue-controllable LED light that emits up to 95% of the BT.2020 color gamut. This lightweight light fixture easily fits in the palm of your hand and can be mounted using the built-in 1/4"-20 threaded mounting hole or attached to metal items via its built-in magnets. 

• LS 120 and 300 Series LED Lights
• Ideal for Producing Overhead Soft Light
• Compatible w/ Bowens Front Mount Lights
• 28.5" Height, 18" Diameter

Compatible with Aputure LS 120 and 300 series LED lights, or any LED light with a Bowens front accessory mount, the Space Light is commonly hung (often with several space lights) on set or in a studio to fill the space with general soft illumination. The 28.5" long translucent modifier has an 18" diameter and a cylindrical shape with an open bottom to allow some light to reach the floor. The Space Light ships with a side reflector to provide some degree of control and create a ratio of output from one side to the other.

LED light sources for image makers have been around for quite some time now, with everyone throwing their hat in the ring regarding on-camera versions with a few big players producing large free-standing panels. When uber-tech innovator, Academy Award winner Dedolight weighs in with a new panel, however, it tends to cause a stir.

This Felloni Techpro 15° Standard Bicolor LED Light runs on 324 LEDs and has a spot beam angle which makes it ideal for longer throw applications or situations requiring higher output. The narrow beam angle is also perfect for controlling spill light and for edge or side lighting purposes. The bicolor LEDs are variable in fine steps from 3200 - 5600K covering the tungsten to daylight balance range. This is the perfect light when speedy setup is of paramount importance. You can forget about fumbling with gels and gaffer's tape and just start shooting. The 1 x 1', 4.4 lb panel is virtually heat-free, so you can squeeze it into places where other lights just can't go without worrying about harming the talent.

- 30% more light than competitors' Standard version
- 50% less power consumption than competitive products: 24 W instead of 50W
- Improved color rendition over competitive products: up to CRI 84 instead of 74
- Distance Diffuser reduces glare noticeably and provides identical light output with the diffuser on, to the Felloni's main competitive product without a diffuser. Bottom line: more power.
- Magnetic front frame for filter holder strips
- V-Mount, NP-F Mount and D-Tap battery interfaces
- Rainproof
- The standard (on board) dimmer module is detachable and attached to an 8' (2.5 m) cable, may be used as a remote wired hand dimmer.

Meet the Litepanels MiniPlus

The MiniPlus is a compact, portable, dimmable LED softlight. Available in daylight (flood and spot) and tungsten (flood) models, the powerful system provides soft, directional output. This broad lighting source is ideal to mount on a camera, wall, or any place that calls for a highly portable softlight.

Highly Controllable

Litepanels MiniPlus heads feature an output control knob for instant dimming from 100% to 0, with minimal color shift. Output is fully flicker-free and heat-free, and remains consistent, even as the battery voltage goes down.

For additional control, units are available with pre-cut interchangeable conversion and diffusion gels that handily slip into an integral frame. Gels are supplied in 8 or 16-piece sets customized for every MiniPlus Camera Lite Kit, One-Lite, or Dual-Lite package. These long-life filters can also be purchased separately, in sets, or individually.

Not Power Hungry

Litepanels MiniPlus is three times more efficient than a conventional tungsten camera light. And, it's easy to handle because it's virtually heat-free. The system offers an efficient snap-on NiMH 2+ hour battery pack. A convenient 5-step bar graph fuel gauge and improved charge indicator displays charging status and remaining battery power when the light is in use.

Mounting Options

The base plate allows the MiniPlus to be fully free standing, with easy pan and tilt adjustment. The Deluxe Detachable Ball Mount with integrated hot shoe allows for multiple configurations—on the base plate, camera hotshoe, or with other types of mounting hardware.

ADVANTAGES FOR VIDEO & STILL

- Heat-free LED technology
- Produces bright, soft light
- Integrated dimmer 100% to 0
- 50,000+ hour bulb life
- Highly efficient
- Minimal color shift when dimming
- Absolutely flicker-free 5600°K or 3200°K
- Snap-on 2+ hour rechargeable battery pack
- Deluxe Detachable Ball Mount and base plate
- DC-Run from battery, camera or car (10-30V)
- AC-Run from adapter (100-240V)
- Lightweight
- Handsome rectangular design
- Integrated heatsink
- Integral gel frame fits neatly on face of units
- Optional DV battery adapter plate to run from (2) DV camera batteries

The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem or on location. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area.

The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem or on location. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area.

The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem or on location. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area.

The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem or on location. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture.

ARRILITE Plus 2000 is a new redesign and update of the traditional ARRILITE 2000 open-faced lamphead. Incorporating a range of innovative features, the new ARRILITE 2000 Plus meets the exacting production demands of today’s film and television industries. By utilizing the ARRIMAX reflector and optical system, light efficiency is increased and light distribution improved. The aluminum housing is more compact and about 400 g lighter than the previous model, while disc brake technology borrowed from the ARRI True Blue range holds the ARRILITE 2000 Plus steady even with heavy accessories attached. In order to change bulbs, the front door frame opens in a similar way to the ARRI M18; no screws have to be removed and no tools of any kind are needed. Like the ARRILITE 750 Plus, the 2000 Plus features an improved focus mechanism and heat-proof handle at the rear of the housing that facilitates easy maneuvering. 

The ARRILITE 750 Plus is a new and improved incarnation of ARRI’s traditional, open-faced light, the ARRILITE 800/1000. By optimizing the ARRIMAX reflector for usage with an HPL 750W lamp, the ARRILITE 750 Plus offers 21% higher light efficiency than the previous ARRILITE 800W, while the ARRIMAX optical system improves distribution of the light. A detachable and fully rotatable accessory holder accommodates scrims and barndoors, and incorporates fittings that permit the Chimera Video Pro Plus S to be fitted directly, without an additional speedring. The one-arm stirrup allows for plenty of pan-and-tilt options and a heat-proof handle at the rear of the lamphead enables easy maneuvering. No tools are required for changing bulbs as the housing consists simply of two detachable parts that open and close through bayonet cap locks. The smaller and lighter aluminum housing of the ARRILITE 750 Plus makes it an ideal lamphead for lighting kits and therefore also suitable for electronic newsgathering, field production and fast turnaround location use. 

A small and polite Redhead. The lilleput is also an efficent little thing, it can either run 300 or 650 watt bulbs.

Features

The Avenger D300 Articulated Arm with Spring Clamp is a multi-ball jointed grip arm. It mounts to a 5/8" light stand or grip stud. Each joint loosens each section independently, for precise control. It terminates with a heavy duty spring clamp that can hold a gobo, reflector, prop or flag.

Specifications

• Aluminum Construction
• 3 Sections, 4 Joints

• Load capacity: 40kg and 300kg
• Gravity casting
• Works on diameters from 42mm to 52mm

• Load capacity: 40kg and 300kg
• Gravity casting
• Works on diameters from 42mm to 52mm

• 28mm Socket

Forged steel with trapezoidal screw.

Forged steel with trapezoidal screw.

Forged steel with trapezoidal screw.

The C338 Quick Action Baby Clamp with 5/8" Pin from Avenger is a heavy-duty support for hanging light fixtures from rails, grid pipes, or other supports. The aluminum clamp features a standard 5/8" baby stud for lightweight lumanaries and an impressive load capacity of 50 kg (110 lb). In order to meet all safety requirements the clamp has also been designed with a dedicated slot for flexible steel safety cables.

• Supplied with a padded top handle to improve grip
• Load capacity: 100kg
• Pipe size 40-70mm
• Supplied with T-top padded handle to improve grip

Provides strong, solid gripping of round, square, or rectangular tubing and many other common and irregular shapes.

Providing strong, solid gripping of round, square, or rectangular tubing and many other common and irregular shapes.

Provides strong, solid gripping of round, square, or rectangular tubing and many other common and irregular shapes.

Provides strong, solid gripping of round, square, or rectangular tubing and many other common and irregular shapes.

• Chrome plated steel arm
• Provided with two fastening straps
• Load capacity: 10kg (22 lbs)

• Works on diameters from 15mm to 80mm

• Twin couplers for full 360° rotation
• Made from aluminium alloy
• Easily connect trusses, bars or pipes

• 16mm stud
• Ideal for small and medium light fixtures
• Stable even on rough ground

• 5/8 (16 mm) Spigot not threaded
• silver
• 500 kg
• aluminum

• Max load: 300kg
• Tuv Sud certified
• 28mm bushing

• Max load: 500kg
• Tuv Sud certified
• Comes with 1'' 1/8 spigot

• Arm length: 53.0 cm
• Arm tube diameters: 20mm
• Material:  Aluminum
• Safety payload:  3 kg
• Weight: 1.07 kg

• Variable friction and ergonomic knob
• Arm length: 53.0 cm
• Arm tube diameters: 20mm
• Material:  Aluminum
• Safety payload:  3 kg
• Weight: 1.07 kg

• Arm length: 53.0 cm
• Arm tube diameters: 20mm
• Material:  Aluminum
• Safety payload:  3 kg
• Weight: 1.07 kg

• 10 C-stands in a self stabalizing cart

• Maximum height: 328.0 cm
• Minimum height: 134.0 cm

• Maximum height: 328.0 cm
• Minimum height: 134.0 cm

This kit, which contain corners and supports, gives you the possibility of making frames of 12x12 feet or 3.65 x 3.65 meter dimension, using standard aluminium pipes.

This kit, which contain corners and supports, gives you the possibility of making frames of 20x20 or 6.1 x 6.1 meter dimension, using standard aluminium pipes.

Heavy duty 3mm square section tubes-slot and pin-lock together, rapidly providing a stable frame for lighting control textiles. By reducing or adding tubes you can create any frame size.

This unique overhead frame allows rapid fold-out and set-up, ready to mount on stands in seconds! Precisely engineered, the hinged connection points will easily fold to get the frame from set to set or through doorways without having to remove the fabric.

• Portable
• Made from aluminium alloy
• Folds with fabric attached

This unique overhead frame allows rapid fold-out and set-up, ready to mount on stands in seconds! Precisely engineered, the hinged connection points will easily fold to get the frame from set to set or through doorways without having to remove the fabric.

• Portable
• Made from aluminium alloy
• Folds with fabric attached

This kit, which contain corners and supports, gives you the possibility of making frames of 8x8 or 2.44 x 2.44 meter dimension, using standard aluminium pipes.

A foamcore support clamp to enable precise positioning with four pointed pins to mount thicker foam core or gator-board. Mounts with a Magic Arm.

A foamcore support clamp to enable precise positioning with four pointed pins to mount thicker foam core or gator-board. Mounts via a 16mm socket.

• Minimum extension 121cm
• Maximum extension 201cm
• 80cm Adjustment Range
• 16.51cm Stud, 1 1/8" Receive

• Maximum extension 381cm
• Minimum extension 212cm
• 16.5 Stud, 1 1/8" Receiver

Features

• Boom arms allow you to position your lights in the most difficult positions. Strong steel counterweighted for smoothness of operation and stability.

Specifications

• Load Capacity at Minimum Extension 163cm: 40Kg
• Load Capacity at Maximum Extension 300cm: 10Kg
• Counterweight included: 6.7kg 
• Max extension 300cm

Normally used in combination with a Grip head. It provides an extended grip point for scrims and flags or small lights.

Specifications

• Length: 40" (101.6cm)
• Color: silver
• Material: chrome steel
• Weight: 1.6kg

With its strong joint it solves all positioning problems of scrim, flags or small lights.

Specifications

Features

• Automotive-quality brake pad discs for secure, non-slip security

Specifications

Features

• Automotive-quality brake pad discs for secure, non-slip security

Specifications

Features

Designed to convert a Junior Stand into an overhead stand, the D400 incorporates a 4-1/2” (10mm) grip head with a junior stud and receiver.

Specifications

• Attachment 01: 1 1/8 (28mm) spiggot not threaded
• Attachment 02: 1 /18 (28mm) bushing not threaded
• Color: silver
• Material: Alumium
• Weight: 2.35kg

• Ideal for use with a variety of stands and grip gear
• Tripod adapter spigot with universal 16mm diameter
• Standard 6.4mm and 9.5mm threaded ends for compatibility
• Weighs a mere 70g for great portability
• High-quality and durable brass body

Avenger E200 Stand Adapter. It fits into the Junior 1-1/8" female receiver on heavy duty light stands and grip clamps. It allows to use lights and accessories with a Baby 5/8" receiver.

• Spigot M12 
  - 28 mm bolt
  - M12 female threads

- Maximum height 315 cm

- Minimum height 124 cm

- Maximum weight 12 kg

- Levelling leg

This Black steel stand features a geared column for ease of use especially with heavier equipment. A leveling leg gives provides secure positioning on uneven terrain. The 2 risers extend simultaneously at an elevation of 1.75 inches per handle turn. Safety cable ensures simultaneous retrieval of all sections. Attachment (top): type 14; closed length: 71.26 in. color: black; column tube diameter: 55.45.38mm.; footprint - maximum diameter: 50.39 in.; geared column; leveling leg; load capacity: 66.14 lbs.; load capacity at maximum extension at 6ÂDegree inclination: 66.14 lbs.; material: chrome steel; maximum height: 145.67 in.; minimum height: 65.75 in.; 2 risers; 3 sections; stand leg size: Ø30mm.; suggested wheels: 104.104G; weight: 47.18 lbs.

Features

• Legs and column in steel, risers in aluminium,
• complete with wheels.
• 3 sections, 2 risers. Ø: 35, 30, 25mm.
• Leg: 20x20mm. ...

Specifications

• Weight: 6,4 kg
• Payload: 12kg 
• Attachement top: 16mm / 5/8" 
• Color: Silver
• Material: Steel / Chrome

• 3 Risers
• Mount: 5/8" Male and 1/ 1/8" Female

The 14.7' Avenger Combo Steel Stand 45 with Leveling Leg is a chrome-plated heavy duty light stand that features a leveling leg with an adjustable extension that lengthens it to provide secure support of equipment on uneven terrain and surfaces like stairs. The stand has 3 risers with a maximum height of 14.7'. The A1035B has a combo 5/8" Baby top stud and 1 1/8" female Junior receiver.

Matthews Hollywood Sky High Combo Overview

10-Channel Mixer

• 4 Microphone inputs with 3-band EQ
• 4 Inserts and 2 single-button compressors
• 4x 6.3 mm jack line inputs
• 1x 3.5 mm stereo jack line input
• 2x4 USB interface
• Built-in GigFX effects device with 24 effects
• 100 Hz low cut filter
• 2 Hi-Z switches
• +48 V phantom power
• Headphone jack
• Footswitch connection
• ProTools | First and Waveform OEM are included as DAW including plugin bundles - The Musician Collection of 23 plugins and instruments
• Dimensions (H x W x D): 84 × 272 × 302 mm
• Weight: 2.2 kg

The TQ-425DP is a digitally self-powered low frequency loudspeaker enclosure designed for use in mobile speech and music sound reinforcement applications as well as in a wide range of fixed installations. It offers exceptional ease of use by combining the entire electro-acoustic system in one convenient, easily transportable package.

The TQ-445DP is a three-way self-powered full range enclosure incorporating integral amplifiers and control electronics. The use of DSP amplifier technology ensures an exact match between amplifier and speaker for optimum acoustic output, and offers exceptional ease of use by having the entire electro-acoustic system in one convenient, easily transportable physical package. 

• For Indie Films, TV & Documentaries
• Moisture-Resistant for Humid Conditions
• Phantom Powered
• Simple Operation with No Controls

Capture broadcast-quality sound indoors or outside for your next indie film, TV shoot, or documentary project with the satin nickel Rode NTG3 moisture-resistant shotgun microphone. Professional-level features such as low-noise circuitry, upgraded immunity to radio-frequency interference, and minimal handling noise reduce the need to repair and restore audio in postproduction.

The NTG3's high sensitivity allows it to produce strong output levels without having to apply extreme gain at your mic preamp. Sonically, the NTG3 delivers consistently clear sound due in part to its gentle rise in high frequencies and its rumble-reducing attenuation of low bass frequencies. Its switch- and dial-free design lets you set up quickly and focus on the sound instead of fiddling with various mic settings. The solid brass housing is both durable and lightweight, and its anti-glare finish prevents reflections in the shot.

• Sleek Black Finish & Red Accent
• Onboard Stereo Mic & Built-In Speaker
• Dual XLR-1/4" Mic/Line/Instrument Inputs
• Overdubbing and 4-Channel Recording

Ideal for guitarists, bassists, and vocalists looking to produce studio-quality tracks on a single travel-friendly device, the black Zoom H4n Portable Handheld Recorder with Onboard Stereo Microphone Capsule and versatile mic/line/instrument inputs lets you record up to four tracks of high-resolution audio in the palm of your hand. Plug in your favorite guitar and microphone, and enjoy unlimited overdubbing, amp simulation, and a slew of effects to develop your tracks into a polished mix.